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Digital Tutors - 'Infiltrator' Production Pipeline Volume 6 :

Description : Free Download Digital Tutors – ‘Infiltrator’ Production Pipeline Volume 6: Rendering | +Project files | .flv | 939mb Lesson Outli... 4.5
Unknown | 9/28/2011 | 0 komentar
Free Download
Digital Tutors – ‘Infiltrator’ Production Pipeline Volume 6: Rendering | +Project files | .flv | 939mb
Lesson Outline (20 lessons)
In this volume of the Infiltrator Production Pileline, we will go through the process of setting up materials, lights and render passes in preparation for final compositing.
We will begin by learning how we can optimize our high-resolution geometry to use our system memory more effectively. This will allow for more efficient, stable rendering, especially if you are working on a 32-bit system with limited resources. From there, we will take some time to set up materials for the various portions of our ‘Infiltrator’ spider and then we will begin the lighting setup. We will use an image-based-lighting approach to achieve a high level of realism and to ensure that the lighting on the CG spider matches the live-action plate. Finally, we will learn how to use Render Passes and Render Layers to output our final renders in a way that will give us a tremendous amount of control over the final result whenever we get into our final compositing phase.
1. Introduction and Project Overview
2. Discussing rendering challenges within this scene
3. Optimizing Infiltrator geometry – part 1
4. Optimizing Infiltrator geometry – part 2
5. Optimizing Infiltrator geometry – part 3
6. Applying initial materials to the Infiltrator character
7. Adding accent colors to the Infiltrator character
8. Adding dark accents to the Infiltrator character
9. Incorporating ambient occlusion into Architectural materials
10. Re-referencing optimized Infiltrator mesh
11. Improving rendering stability of complex Maya scenes
12. Utilizing Color Management features in Maya
13. Creating shadow-only lights in Maya
14. Modifying the wall stand-in geometry
15. Setting up initial render passes for our character
16. Creating a custom color buffer for our Maya character
17. Rendering an ambient occlusion pass in Maya
18. Viewing rendered framebuffers in Maya
19. Making final quality adjustments to Infiltrator scene
20. Creating a custom material ID pass in Maya

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